Week #36 The Apartment - Comic

Way back in the early days of 2001, shortly before 9/11, I was living in New York City with Adam Beebe, James Call and James’ then girlfriend Barbara P. King. Three very creative people.

One night, right after we’d finished showing Barbara the last episode of Twin Peaks, we all got inspired and huddled together in front of my computer to create a surrealist story of our own.

We had all recently become very interested in comic books so we decided our story would be a comic. Although James and Adam we’re very good artists neither of them had the patients to draw and entire realistic comic book so we decided we’d create a photo comic. A comic book made up entirely of posed photographs and word bubbles.

The comic we developed was pretty awesome. It starred the four of us as roommates who wake up every morning in our apartment with no memory of how they got there or exactly who they where.

We did a couple of shoots for it but never got very far. I’ve included the whole script we came up with for the first issue below. It’s pretty awesome stuff.

Considering that we all live in different cities now (except me and Adam) there’s little chance we’ll ever finish it the way we wanted to. Still if we got some interest or inspiration we could always “recast” or have someone draw it as a normal comic.

“HOUSE” or “APARTMENT”

NO THOUGHT BUBBLES, NO NARRATIVE

We are stuck inside house : we never know what is going on and we always forget things.

There is something very bad outside, keeping us in!!!

Every morning, a different character is reading the newspaperr about a terrorist attack, India-Pakistan War, etc. This ALWAYS IS NEW to the characters, and the reactions of the characters to the news is revealing about their character, but always an “initial shock”

Perhaps there is a House of Consciousness to match the House of Ignorance?

Hearing screaming, but never recognizing it; as if screaming is alien to the charac ters, as infants

Characters are terrorized by outside weather

Barbara realizes hunger, and enters outside, sees an evil small girl. Upon returning, there is food in the house; Barbara begins to realize something about outside world, but the other characters deny it, and even to Barbara it is a mystery. For example, when she returns, the others say, “But, you were just in the bathroom,” and then she begins to doubt herself. Thus she is left with a sense that something is wrong (e.g., spidey sense), but cannot quite place it...

Children are evil. Animals are good.

Other characters enter and exit the household

plate breaking randomly in four pieces

CHARACTERS

Characters often use nicknames: “Dad,” “The Girl,” “That Asshole,” and “Junkie”

James (Enron)
- level headed, silent, strong
- Christian (moderate); strong moral system
- right wing; prepared for whatever happens
- Speaks many languages and knows literature; reads a lot

Damian (Ratso)
- drug addict; genuinely unhealthy
- feels dread when not on drugs

Barbara (Miss)
- high alert; curious; alarmed; “danger sense”; haunted by demons; ESP; i.e., archetype of “aware” hero (Dale Cooper, the Matrix guy, Peter Parker, etc.)
- visions

Adam (Sim)
- aloof jerk; cynical and bitter (like Jason Hogg or Albert)
- Manipulative. It is a habit and he manipulates without reason.
- Spontaneous, irrational
- Adam arranges chairs and other objects. Perhaps reflective of personality?

Relationships:

NO ONE EVER KNOWS why they relate to each other as they do, and the actions stemming from their relationships often come as surprises

Barbara and James are in a romantic / sexual relationship; adolescent
Barbara once had romance with Damian; Barbara (unconsciously) wants to maintain friendship but Damian (also unconsciously) wants to put the past behind.
Barbara and Adam = Brother and Sister
James is caring towards Adam, who tries to manipulate him but cannot, because of feelings of latent guilt
James and Damian disapprove of each other’s character.
Adam is slowly ruining Damian’s life, but Damian thinks he’s a great guy

When certain things are said (in presence of all characters), every character leaves the room and forgets what has just happened. Perhaps this reminds them of past disturbing incident?

Someone finds toilent clogged; all go into bathroom to stare. Someone then says, “Can you please leave? I’m trying to take a shower.” They’ve all forgotten what happens

Regional slang distinct to house

People occasionally raise memories, which scares them all who stop

It does not occur to the characters that they were children! The demons are all children... if childhood memories emerge, they upset all the characters

Talking dogs?

James turns into bowling ball?

Barbara sees face in window

People who come over are treated innoculously
They live outside “the city”; which city is never noted

As story continues, Barbara gains more consciousness, the story heats up... as it does, James, Damian and Adam vanish or go away.

One recurring character continues to check for Barbara’s pregnancy. These shots are MINIMAL, OFFSCREEN and MYSTERIOUS (completely to audience and even to most of the characters!)

Bill Clinton as potted plant?

Ana? as recurring character who brings basket of drugs. Relationship with Damian? (he would be ignorant, but not her)

Adam is always alone.

Tore as James’ incredibly right wing friend? dressed in fatigues.. SCRIPT - Story breakdown

1. Adam by himself, waking
2. Damian by himself, waking
3. James and Barbara by themselves, waking
4. Adam gets newspaper, sits in kitchen
5. Damian enters, and Adam says “blah di blah” (about the news event)
6. Damian says, “What’s news?” and looks inside empty cabinet (back of head shot)
7. Adam reacts “blah di blah” while Damian opens refrigerator; we see it is empty
8. Shot of Adam opening empty milk carton, while Damian responds dully from off-panel
9. Barbara’s hand
10. Barbara and James, silent; hand in same position. Barbara is contemplating hand.
11. Barbara’s face, confused (wondering if she is married)
12. James and Barbara, looking at each other, confused, feared. Barbara states “We’re not married.”
13. Another silent panel. SAME SHOT as last panel, as both characters contemplate situation.
14. Same shot. James says, “There’s a pain in my stomach,” and gets up out of bed.
15. James enters kitchen, and greets the others. All four characters are seen (Barbara seen through door). I.e, this shot is from hallway outside of bathroom. James says “Hello,” and the other two respond.
16. James tells others, “The young lady is in my bed.” The others respond. The dialogue should show that this event was unexpected and a revelation.
17. Barbara enters kitchen. She is surprised to see Adam and Damian. Adam, Damian and James are having a conversation about what they are going to do today (although they have no idea, and no idea what there is to do)
J: “So, what are you gentlemen going to do today?”
A: “Same thing I always do: Nothing!”
D: “There’s something I have to do today.”
18. Barbara walks into Adam’ room, looking for the bathroom.
A: “Do you have work?”
D: “I don’t think so, not today.”
A: “I’m not going to work today either. My stomach hurts.”
19. Barbara exiting Adam’s room.
B: (outloud, but not to others) “I thought this was the bathroom!”
20. Barbara walks to real bathroom.
D: “Way to go, Einstein!”
J: (laughing) “I can’t remember the last time either of you went to work!”
21. Three guys, uncomfortably laughing. (Barbara in bathroom)
J: “Or myself for that matter.”
A: “Where do you work?”
J: “The city.”
22. Barbara exits bathroom.
B: “I tried to vomit, but nothing came out of my mouth.”
A: “Do you have a problem with vomiting?”
J: “Mind your manners.” (to A)
D: (jokingly) “Yeah, shut up punk.”
23. All of them in the kitchen.
D: “I feel like I haven’t eaten in three days.”
B: “You haven’t eaten for three days. None of us have.”
24. All walk silently into living room.
25. All have sat down, and all are quite serious.
J: “None of us have eaten in three days.”
A: “Yep.”
B: “Well, shouldn’t we do something about it?”
A: (condescending) “We should eat.”
26. Same shot. Barbara alarmed.
B: “Wait. Where is the food?”
A: “The food’s outside, lady.”
J: “Some respect.”
D: “Someone has to go get food.”
27. Adam’s face. Angry, shocked.
28. James’ face. Concerned.
29. Damian’s face. Worried, queasy.
30. Barbara’s face. Alarmed.
B: “Well I am not going outside!”
31. James’ face.
J: “I don’t think it prudent for any of us to leave.”
32. Damian’s face.
D: “Fuck no.”
33. Adam’s face.
A: “Why don’t you guys go. I’ve got something to do.”
34. Same shot as 25-26.
D: “You don’t even know what you have to do!”
J: “Be considerate. We all have things to do.”
A: “Listen General, you don’t even know what ‘doing something’ is!”
B: “Be quiet be quiet be quiet!”
35. Same shot. Silence.
36. Same shot.
J: “Miss, are you alright?”
D: “Yeah, what is it?”
A: “That time of month again, or just crack?”
37. Damian gets up and goes to bathroom. James gets up and heads towards kitchen (Barbara looks at him). Adam goes as well, to finish reading newspaper.
D: “I’ve got to take my medication.”
A: “Maybe I should take your medication too.”
38. Barbara and James.
B: “Enron, where are you going?”
J: “Just... to...”
39. Damian emerges from bathroom with pills in hand
D: “Where is my tequila?”
B: (Holding bottle, very confused.) “Right here...”
40. Kitchen. Adam reading newspaper with James looking over shoulder.
J: “Say friend, what’s in the news today?”
A: “Nothing you’d like, understand or be interested in.”
J: “What is of interest to one man is of interest to all men. No value can be assigned to knowledge.”
A: “Totally. Write a book.”
41. Damian takes pill with liquor, as he walks back into living room. Barbara watching intently. Damian does not look at her.
42. Damian and Barbara in living room. Damian is irritated that she is watching him.
D: “I do this everyday, you know.”
B: “You do?”
D: “Oh.”
43. Barbara thinking.
44. Damian and Barbara, still in living room. Damian is leaving to another room.
D: “Where are my cigarettes?”
45. Barbara thinking.
46. Shot of the door.
47. Closer shot of door.
48. Still closer shot of door.
49. Damian re-entering living room.
D: “It’s time for you to go get the food. And get me some cigarettes while you’re out there.”
50. Barbara enters kitchen and begins putting on coat, etc.. James is still looking over Adam’s shoulder.
J: “Will you be doing the crossword?”
51. Barbara has put on coat and the others notice her. Damian enters from living room.
J: “That coat looks very becoming on you.”
A: “If I was on you, I’d be coming too.”
52. Different angle shot. Adam, Damian and Barbara laughing hysterically. James with arms crossed.
J: (under his breath) “Honestly.”
53. Laughing ends. Barbara nervous.
54. Barbara and door. Barbara looks at it.
55. Barbara’s face.
B: “Well, I’m going now.”
56. Shot of the others. All are nervous.
D: “It’s for the best.”
J: “Yes, that’s true.”
57. Shot of the handle of the door.
B: “Goodbye.”
58. ALL BLACK.
B: “See you later.”
59. Diagonal shot of hallway. Barbara is walking through it.
60. Same shot. Barbara is getting closer.
61. Same shot. Barbara is incredible close; perhaps so close that not her entire body appears in the shot (i.e., just her arm, face, etc.)
62. Shot of front door, from inside perspective. Perhaps with back of Barbara’s head?
63. Barbara’s hand on front door doorknob
64. Adam, Damian and James are standing and looking at each other. Their look should suggest that they are either concerned and worried, or perhaps conspiring!
65. Outside shot of front door. Barbara is sticking her head out, looking around.
66. Shot of Barbara’s face. She is stunned; she is looking up at other floors of building.
67. Shot of upper floors. Shot from Barbara’s perspective (i.e., person standing outside of front door looking immeadiately up)
68. Shot of Barbara’s eyes. (concerned; she senses something)
69. Same shot; Barbara’s eyes now blink, or seem weary.
70. Blurry shot of Barbara’s eyes, closing.
71. Shot of Barbara passed out on porch from little girl’s perspective. A small tuft of hair - the top of the girl’s head - can be seen at bottom of shot to establish her presence.
72. Upwards shot of little girl from from ground. Perhaps Barbara’s body can be seen on the ground from this perspective.
73. Close up on Barbara, waking up dizzily. Body or upper body.
74. Same shot. Barbara is horrified.
75. Straight-on shot of little girl. Now she holds a birthday cake.
76. Shot of Barbara with hand on the door.
77. Shot of hallway. Barbara entering door in haste.
78. Shot of Barbara stumbling to the ground.
79. Barbara crawls forward along ground. (upsetting angle perhaps)
80. Barbara reaches up to open apartment door.
81. The door is wide open. Barbara can be seen on the ground. The others are there in the kitchen. They are sitting around a table laden with good food. They look overjoyed.
J: “Just in time for dinner!”
A: “Manga manga!”
82. Shot of turkey carving or salad being tossed. Wine glasses are being toasted.
83. Shot of Barbara standing. She picks up a glass of wine but looks confused.
84. Same shot. Barbara is standing with a grin on her face and her glass of wine.
85. Toast? The toast should either be an old corny toast or perhaps foreshadowing.

The girl skips away. then she will re-enter to find her happy roommates with a huge dinner. She will suddenly be fine again, without knowing why, and remembering little.